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Artmarket.com: Interview with digital artist Josh Pierce, whose NFT 'Flow' is on the cover of the Artprice 2023 Contemporary Art Market Report
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PARIS, Oct. 30, 2023 /PRNewswire/ — Artprice is proud to present the NFT work Flow by Josh Pierce on the cover of its latest Annual Report on the Contemporary and Ultra-Contemporary Art Market, published just in time for the Frieze London and Paris+ by Art Basel art fairs and available for free.
“Digital creation brings a wonderful breath of fresh air to the art world” enthuses thierry Ehrmann, CEO of Artmarket.com and Founder of Artprice. “This artistic turning point deserves to be examined with the greatest attention by all collectors and art enthusiasts.”
The work Flow by Josh Pierce on the cover of Artprice’s 2023 Contemporary Art Market Report, available in English and French for free on www.artprice.com
Auction result for the work Pristine (2021) by Josh Pierce on the website www.artprice.com
NFT technology not only offers a simple and suitable way to collect digital art – an artistic format that perhaps best represents the age we live in – but it also allows us to establish links between artists, works, and collectors, as well as all the other protagonists of the international art world on the Blockchain. As NFT artworks become more common in museums and auction catalogs, alongside their growth on dedicated platforms, they are writing a new page in Art History.
Artist Josh Pierce talks to Artprice about his work, his technique, his vision of NFTs, as well as his inspirations and his favorites. He invites us to delve into his spectacular work where the human being contemplates a natural world re-enchanted by a mysterious, luminous, fantastic, and soothing presence.
1. Your works celebrate a type of harmony between the real world and the digital world. Do you believe that such a symbiosis really exists, or is possible?
Jpierce: Yes, I do believe that the real world and the digital world can coexist harmoniously. This kind of symbiosis is a theme in my work for a reason. I believe that all things are interconnected. When we are able to tap into that knowledge we can create and share from a much deeper place. We have a chance to make the world a better place, even in a very small way. In my view, everything that is created by human beings is both an expression of this earthly experience and an extension of our own inner worlds. I don’t see work created with digital tools any differently. At one point the paintbrush was invented, and so was the camera, and now we have these new tools for self-expression and for creating art digitally. This opens up entirely new possibilities that we haven’t even begun to conceive of. Even though life is getting more and more digital, I don’t really think that people are generally going to want to live in a futuristic technotopia, completely disconnected from nature. I believe we will always need that connection with the living world because really we are a part of it. With that said I think that audiences will always resonate with natural elements because we have a need to stay in close contact with nature. So it doesn’t matter whether that art is created digitally or in any other way.
2. What is technique according to you when it comes to digital art? Why aren’t creative software apps and their pre-programmed libraries enough to create a work of art? Why isn’t Artificial Intelligence enough?
Jpierce: Technique is something that is honed over time and has as much to do with the eye as it does with the hand. There is a difference in my view of something that is art and something that is simply craft. While craft, or technique, is extremely important, it does not equate to art. Art is about an individual’s expression and their own channeling or interpretation of the divine, via the conscious act of creation. No machine can ever do that. Having access to an amazing array of tools can only modify the level of technique that goes into a work’s creation. It’s like using a stencil, or a screen printing process such as with Warhol. Ultimately it doesn’t have anything to do with “how” the work is made and everything to do with “why” the work is made. This is the key distinction in my mind. Humans can build a machine to spit out any millions of copies or iterations of beautiful images, poetry or music, but without the artist’s intention, the “why” will always be missing. These creations will always lack the soul. Artificial Intelligence is yet another tool that can make our lives easier, handling some of the tedious work, but again will never be able to replace the artist’s divinely guided hand.
3. How would you define the originality of your artistic production in comparison to your job as a graphic designer?
Jpierce: As you might have already noticed, lately I’ve been fascinated with the idea of works of art being channeled from beyond. It isn’t even so much about personal expression as it relates to one’s own life but more about capturing the particular flavor of the signals that are coming to you as an artist. I think in all fulfilling and meaningful work there needs to be this spark of creativity. For me as a designer working on a team, creativity is more involved in concept and technical execution than it is in personal expression. I still find a lot of joy in the creative process of problem-solving and of bringing to life a message through means of visual communication. On the other end, my personal work brings that same inspiration into more abstract modalities such as color, composition, and tone. This kind of inspiration isn’t about solving a problem but about creating a harmony between, space, form, value and emotional resonance. I work much more intuitively when it comes to my personal work, as one would expect, and I think originality emerges as a result of that interplay between inspiration and technique, as well as intuition and serendipity.
4. What relationship do you have with the world of NFTs? Do you feel connected to your collectors, the platforms you use, or maybe even other artists?
Jpierce: I find it very interesting that the world of NFTs has become so broad and has come to encompass such a large variety of projects. This new technology built on the blockchain is capable of so many things and the ability to represent uniquely ownable digital items is only a very small part of what is being explored. As an artist, I am extremely grateful that my work can now be collected and owned by individuals and institutions that want to see work like mine promoted in the art world. Since this wasn’t really possible before, an entirely new wave of artists and collectors have found their way into a crossroads with traditional art markets. It’s a very exciting time. Most of the people who have collected my work thus far have been smaller entities or individuals and almost exclusively have been buying for the right reasons. That is, they connect deeply with the message and have an emotional response to the work, and for that reason I feel very connected. Platforms have also been incredibly helpful, and while they are evolving and changing over time, I feel very connected to the individuals I have built relationships with who may or may not remain connected to those various platforms. The community of artists and tech enthusiasts is the backbone of the NFT world and I feel very grateful to have many wonderful friendships within it, as it positions itself for the next push into the mainstream art world.
5. Are you satisfied with the current functioning of the web3/NFT ecosystem or do you feel it lacks something? For example, would you like to be supported by a gallery or see your work physically exhibited in a museum?
Jpierce: I’m definitely very interested in my work being exhibited in a gallery or museum and can say enthusiastically that the time for this is coming sooner rather than later! Digital artists have particular challenges in displaying work, usually implementing LED screens or projectors. Personally, I really like the option of physical prints and utilizing augmented reality technology to bring them to life. I think this marries the physical world with the digital world much more intimately than moving screens which I always find slightly alienating. It also grounds the work in the physical space, guaranteeing no technical glitches, which would only occur on the user’s device and don’t affect the overall gallery experience. In terms of representation, I believe it’s only a matter of time before the transition to digital art becomes mainstream. I do hope that as the value of work such as mine becomes recognized more and more by the world, that the art scene will begin to embrace it and digital artists will have a home in more traditional exhibition spaces.
6. Two of your NFT creations have already sold at Sotheby’s. How does it feel to see the traditional art market take an interest in your work and that of other digital artists?
Jpierce: Certainly, there are few higher honors than to see my work on display and at auction at Sotheby’s – made even more special by getting to go there in person and see it in their gallery in France in March of 2023. Seeing my work there makes me very proud of myself and the hard work and dedication I’ve committed to my practice over the years. Of course, no matter the outcome, I have, and always will, create purely for the joy of sharing what I believe to be an important expression of human connection with nature and of the evolution of human consciousness. For that reason, any high profile sale or exhibition only draws more eyes and ears to what it is that I feel I need to say. For digital artists in general I think this also applies. We are seeing an entirely new generation of creative minds reach into the collective psyche and hold up these choice findings for examination. Eventually, traditional art markets will have to embrace that just as every avant-garde movement has pushed the boundaries of medium, subject matter, taboos, and even concept itself. In the future hindsight will reveal that this question of adoption in the eyes of critics always had a foregone conclusion. It’s inevitable that digital artists will be seen on the same level as all other widely respected mediums.
7. In your work, we can glimpse a romanticism close to that of Caspar David Friedrich’s Wanderer, or imagine a connection with installations by Andy Goldsworthy. Do any artists or works particularly inspire you?
Jpierce: I can appreciate those comparisons! I have taken to considering myself a spiritual artist, in that what I create comes from and attempts to transmit a connection with a spiritual dimension. In some ways, we might simply consider this the realm of the magical. There is a deep magic in the world, and it can’t really be talked about, measured or captured with concepts and words. So I use art to convey an emotion that is commonly felt and more commonly forgotten, dismissed or deemed irrelevant. As far as inspiration, I have always been drawn to nature and to classical landscape painting and photography. Certainly also, Goldsworthy and Friedrich are powerful inspirations for my work. I grew up marveling at the fantasy landscape work of Roger Dean, and the psychedelic visionary art of Alex Grey. I’ve also drawn inspiration from the neon work of Dan Flavin, as well as the work done with cloud formations by Cai Guo-Qiang. I’ve appreciated at times many other artists who worked within landscapes including Richard Serra and Robert Smithson.
8. Are there any digital artists whom you would wholeheartedly recommend our readers to discover?
Jpierce: There are so many artists that I would really love to speak about, especially friends of mine and artists who I believe are pushing boundaries. I believe Patrick Amadon has become a real leader in the world of glitch art and free speech advocacy. Postwook is another artist whose striking collage work transports us to dreamy memories potent with feeling. Sam Spratt has also become a standout star, painting digitally, questioning our relationships with our own raw animalistic emotional natures. I could say so much more but these are just a few I would love to see gain even greater recognition in all areas of the art world.
9. Finally, what is the best way to view your works and stay informed about your upcoming creations?
Jpierce: I post most regularly on Instagram @jpierce and I make most of my announcements on X (formerly Twitter) @jpierce_art. Also, any major announcement will be made on my website – joshpierce.net where you will also find galleries of my work and a place to sign up for an email newsletter to keep informed about upcoming releases! Thank you again so much for the opportunity to speak about my work and share my thoughts with the world.
Links
Josh Pierce’s page on Artprice: https://www.artprice.com/artist/1097445/josh-pierce
Josh Pierce’s official website: https://www.joshpierce.net/
Josh Pierce’s NFT works on SuperRare: https://superrare.com/jpierce
Artprice’s free 2023 Contemporary Art Market Report: https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2023
Images:
[https://imgpublic.artprice.com/img/wp/sites/11/2023/10/image1-flow-josh-pierce-artprice.jpg]
[https://imgpublic.artprice.com/img/wp/sites/11/2023/10/image2-Pristine-2021-on-Artprice.png]
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New Study Reveals Majority of Indians Prioritize Nutrition Over Taste, Surpassing Global Average
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Based on a recent survey of urban Indian consumers:
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Nine out of 10 consumers are searching for protein-rich food compared to seven out of 10 global shoppers. -
The top four qualities consumers look for when buying snacks are (1) natural, (2) heart-healthy, (3) protein-rich and (4) energy-source, all of which come before satisfying cravings. -
Nuts have emerged as one of the most popular snacking choices, with 86% of Indian shoppers report having purchased them in a span of 6 months. -
Urban Indians read nutrition labels more than the global average, reflecting a growing trend towards informed purchasing. -
69% of urban dwellers surveyed have the opinion that plant-based protein is just as good as meat-based protein, exceeding the global average of 55%.
Wonderful Pistachios, the world’s largest grower and processor of pistachios and distributor of California Pistachios in India, released today, World Nutrition Day, the findings of a new global study that sheds light on the snacking habits of urban Indians. The study, commissioned with Material, a leading global research consultancy, included 10 countries and over 12,400 respondents, revealed a new behavioural trend that urban Indian consumers prioritize nutrition over taste when it comes to snacking. This growing preference for healthy snacking emphasizes the importance of good nutrition for overall well-being.
For the India market specifically, the study delved into the snacking habits of 2,415 shoppers across six Indian cities, which represented a population of approximately 35.9 million consumers. Remarkably, a majority of urban Indians (58%) reported basing their food purchasing decisions on nutritional benefits more than taste, exceeding the global average of 52%. Delhi and Ahmedabad lead with over 60% of urban shoppers preferring nutrition in their food. Bengaluru and Chennai follow closely, indicating a nationwide shift towards smarter snacking preferences. In India, Millennials and Gen Z are leading the charge in health-conscious purchasing decisions, with more than 83% of consumers in these age groups reading nutritional labels before buying.
Indian consumers prioritize four key factors when shopping for nutritional snacks: natural (free of artificial colours and preservatives), heart-healthy, protein-rich, and provides energy. Nine out of 10 urban shoppers consciously seek protein-rich food options, compared to the global average of seven out of 10. The focus on nutrition has fueled the rise of nuts as a preferred snack choice, becoming essential to daily eating habits. The study found a staggering consumption of nuts, with 86% of Indian shoppers report purchasing them in a span of 6 months, compared to just 75% globally. With 6g of protein in per 28g serving, California Pistachios are a smart snack choice that provides benefits without sacrificing taste.
Shail Pancholi, Country Director, India, Wonderful Pistachios, commented on the study, saying, “Nuts were traditionally used as garnishes and consumed during festivals, but have now become a popular snack in India, indicating a notable shift in dietary habits. Pistachio consumption in India has doubled in the last six years, as consumer awareness of the nutritional benefits that pistachios offer has grown. Consumers are discovering that pistachios are naturally cholesterol-free, rich in plant-based protein and dietary fiber, and provide over 30 different vitamins and minerals.”
Interestingly, the study found that nuts are the second most preferred snack among urban Indian consumers, with 64% of Baby Boomers and 59% of Gen Z prioritizing nutrition over taste when selecting food. This indicates a growing focus on health across generations, with Baby Boomers focusing on senior wellness and Gen Z reflecting the rise of mindful purchasing. Though on opposite ends of the age spectrum, these two generations take the lead in seeking protein-rich options, as well as preferring natural snacks.
Mumbai tops most of the consideration sets when choosing a snack. Residents opt for natural ingredients (35% vs. the national average of 30%), heart-healthy options (33% vs. 30%), and protein (33% vs. 29%). Chennai residents look for energy-boosting snacks (31% vs. the national average of 29%).
The fact that 69% of urban Indians surveyed have the opinion that that plant-based protein is just as good as meat-based protein reflects a positive shift towards varied dietary preferences. Pistachios are a good source of high-quality complete protein, containing all nine essential amino acids. A 28g serving of pistachios provides 6g of protein, which is 11% of the recommended daily allowance (RDA) according to FSSAI.
The Wonderful Pistachios study unveils a compelling shift in Indian snacking habits. Nuts are evolving from festive treats to a daily snacking staple, fueled by a nationwide preference for more nutritious options. The trend transcends generations, resonating with Gen Z and Baby Boomers alike, underscoring the growing importance of mindful eating in urban India. As consumers increasingly seek natural, heart-healthy, protein-rich, and energy-boosting snacks, the future of Indian snacking appears to be firmly rooted in nutrition and well-being.
Wonderful Pistachios
Wonderful® Pistachios is the world’s largest grower and processor of pistachios, with a global presence in over 70 countries. As a vertically integrated operation, they are experts in every step of the process from tree to shelf, ensuring the highest-quality product every time. In tandem with its Grower Partners, Wonderful Pistachios harvests 125,000 sunny acres (50,000 hectares) of land in California that receive warm days and cool nights, which work in harmony with the rich, natural soils to create the perfect growing climate for high-quality pistachios. They ship 600 million pounds (204 million kg) of nuts worldwide from their advanced processing facilities to ensure the highest standards are met. When it comes to pistachios, Wonderful® Pistachios expertise is unmatched in scale and capacity, paired with warehouses and sales teams worldwide that are well-equipped to provide support at every step of the way.
California Pistachios
California Pistachios are grown and distributed by The Wonderful Company, the world’s largest vertically integrated pistachio processor and marketer located in California’s Central Valley. California Pistachios are Non-GMO, providing a smart, healthy choice for consumers around the world. Sun-ripened in the moderate Mediterranean climate of California, these distinctively green nuts pack taste and contain antioxidants and over 30 different nutrients. California Pistachios in India are available under leading brands and private labels at retail outlets, grocery stores, and online platforms.
For more information about California Pistachios India, please visit www.b2b.wonderfulpistachios.com
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SINGAPORE, May 31, 2024 /PRNewswire/ — Senior Minister of State for Communications and Information Tan Kiat How launched the Digital Enterprise Blueprint (DEB) at Asia Tech x Singapore (ATxSG) 2024 today. The Blueprint will enable SMEs to harness technology, optimise the way they work, and strengthen digital resilience and cybersecurity across the ecosystem. 50,000 SMEs are expected to benefit over the next five years through four key focus areas:
- Empower enterprises to be smarter by adopting AI-enabled solutions
- Enable enterprises to scale faster through cloud-based and integrated solutions
- Equip enterprises to be safer through improved cyber resilience
- Support enterprises to upskill workers to make full use of digital capabilities
Seven partners have come onboard to pledge their commitment, including Singapore Business Federation, Singapore Computer Society, SGTech, Amazon Web Services, Google, Microsoft and Salesforce.
In collaboration with IMDA and the TechSkills Accelerator for ITE and Polytechnics Alliance, SGTech is launching the Tech Apprenticeship Programme to expand the career pathways of graduates by providing access to industry apprenticeships that offer on-the-job training and development opportunities. Over the next two and a half years, SGTech aims to facilitate the placement of at least 300 apprentices who are fresh or mid-career professionals from polytechnic or ITE backgrounds, and drive the adoption of similar practices that promote more inclusive hiring and career agility.
IMDA and the Singapore Academy of Law (SAL) signed an MoU aimed at uplifting the legal sector’s productivity through the use of GenAI. As part of this partnership, GPT-Legal, a new large language model which is contextualised for Singapore’s legal sector, will be co-developed. The model will be integrated into SAL’s research platform LawNet, which is accessible by 75% of Singapore’s lawyers. SAL will also be penning an MoU with the National University of Singapore and AI Singapore to develop its AI capabilities and create a certification to recognise AI specialists in the legal profession.
Additionally, Tribe and Digital Industry Singapore announced a collaboration with NVIDIA to launch the Ignition AI Accelerator for AI startups to create and bring to market the next wave of advancement in AI solutions. This programme will nurture 15 high-potential startups, equipping them with well-rounded support covering business and technical needs. NVIDIA and Tribe will also collaborate with EnterpriseSG to offer qualified AI startups funding support through the Startup SG Tech scheme, and assist them through the IMDA Accreditation process.
Singapore hosted the final meeting of the UN Secretary-General’s Artificial Intelligence Advisory Body (AIAB) from 28-29 May. As part of the agenda, Singapore facilitated an engagement session between AIAB and the Digital Forum of Small States (Digital FOSS). Digital FOSS Fellows exchanged views with AIAB members on the topic of AI governance, particularly on the implications and challenges faced by small states. Through such efforts, Singapore aims to promote a more inclusive approach towards shaping global AI and digital governance.
Contact:
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SHENZHEN, China, May 31, 2024 /PRNewswire/ — By 2040, the burden of colorectal cancer (CRC) is projected to increase to 3.2 million new cases and 1.6 million deaths per year representing a 66% and 71% rise in new cases and deaths respectively relative to 2020.
To better address the global burden of CRC and reduce its impact, BGI Genomics has launched the second edition of its global CRC awareness report, covering 1,938 respondents from Brazil (306), China (367), Poland (300), Saudi Arabia (300), Thailand (362), and Uruguay (303):
CRC Screening Gaps Vary Globally: Nearly half (49.3%) of global respondents have never undergone CRC screening, with the highest proportions in Saudi Arabia (62.0%) and Poland (61.0%).
Preference for Fecal Testing Over Colonoscopy: Although colonoscopies are more recognized (33.4%), fecal tests at healthcare facilities are preferred (31.8%), reflecting a trend towards non-invasive methods.
Cost and Fear are Determinants of Screening Choice: Fear of colonoscopy (18.2%) and screening costs (17.7%) are major barriers to CRC screening. Poland (24.7%) and Uruguay (21.0%) show the highest fear of colonoscopy, while Thailand (24.5%) and Brazil (20%) indicate the most concern about costs.
Medical Advice and Family History Drive CRC Screening: Doctor’s recommendations are a major driver for CRC screening (30.5% globally), with Uruguay showing the highest adherence (44.1%). Additionally, those with a family history of CRC are more proactive in screening (64.5%), compared to the general population (35.0%).
Prof. Varut Lohsiriwat from Mahidol University offers his insights to this report. He suggested: “The essence of effective cancer screening lies in the acceptance and adherence of the patient to the screening method. The best screening method is the one that the patient accepts and adheres to because that’s the method that will actually benefit them.”
Dr. Zhu Shida, BGI Genomics Deputy GM, notes: “At BGI Genomics, we focused our efforts on developing advanced molecular biology testing techniques to close the gap [between acceptance and accessibility]. The ultimate goal is to transform colorectal cancer from a life-threatening disease into a manageable condition through widespread, early screening and intervention.”
For more region-level comparisons, access the full BGI Genomics 2024 State of CRC Awareness Report.
All data involved in this report come from the results of an online survey project conducted by BGI Genomics. It only surveys awareness related to colorectal cancer and does not involve personally identifiable data.
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New Study Reveals Majority of Indians Prioritize Nutrition Over Taste, Surpassing Global Average
Singapore Prepares Ahead to Leverage Artificial Intelligence for a Better Future
One in Six Globally Concerned About Colorectal Cancer Screening Costs
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